Bill Evans Trio Portrait In Jazz Rar

Bill Evans Trio – Waltz for Debby SACD ISO (Stereo): 3,02 GB 24B/88,2kHz Stereo FLAC: 1,24 GB Full Artwork 3% Recovery Info Label/Cat#: Analogue Productions # CAPJ 9399 SA Country/Year: Europe 2002 Genre: Jazz Style: Post Bop Years ago, having heard this was one of the best jazz records ever, I bought the CD, finding it indifferently mastered and mildly boring. In view of the high regard for this recording, I have retried it every now and then, reestablishing the same impressions. The SACD reincarnation transformed all this. Listening to the same music has become infinitely more involving, a sensual experience. Yes, the recording has its very apparent shortcomings: the piano, slightly coarse, comes out of the right speaker only; the drums and the somewhat bigger-than-life double-bass come from the left speaker only; there is hardly any middle, except for audience noises. However, what presence and tangibility! In spite of these shortcomings and being “only stereo”, this is still one of the best-sounding SACDs I have had the pleasure of hearing.

Actually, audience noises and clicking of glasses only add to the feeling of “being THERE”, much more so than, say, in the audiophile classic Jazz at the Pawnshop, Vol. 1 – Arne Domnerus in its newer (2005) remastering. Recommended! SA-CD.net review by Thom Jurek Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro’s death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates.

Last chaos private server ep2. My Foolish Heart' - 0:00 2.' Waltz for Debby' (Take 2) - 4:54 3.' Waltz for Debby' (Take 1) - 11:50 4. Disc One – Hooray for Bill Evans. Vinyl: Session Disc 133; vinyl 127 gm. Disc Two: A Rare Original Bill Evans. Vinyl: Alto Records AL 716; 146gm vinyl. Artists: Bill Evans (p) Scott LaFaro (b) Paul Motian (d) recorded live on various dates between March and May, 1960 at Birdland, NYC, by jazz archivist Boris Rose.